Went to see The Tourist, which was a fairly pleasant movie with Johny Depp and Angelina Jolie. The things that I loved most about it was that much of it took place in Venice, a city I love dearly. What's better, they didn't feel the need to mess with the city like some films have recently. I know that Hollywood sometimes needs to move things around a little bit. but some movies recently have gone waaaaaay overboard.
In Transformers 3 the protagonists somehow go from Giza to Petra in a few hours, and can actually SEE Giza from Petra, which is impressive considering they are several hundred miles away from each other. In The Young Indiana Jones Chronicles, a show I thought was awesome, a young Indy and Nanny are 'stranded' near the Pyramids and are forced to camp out. This confused me since they could have walked a quarter of a mile or so to the Mena House, one of the best hotels in Cairo. Stop being lazy Hollywood!
Venice is stunning in The Tourist. The chases through the canals and over the small bridges and back alleys were exciting while staying accurate to the layout of the city. The film shows the lobby of the Hotel Dannieli, one of the most beautiful spaces I've ever seen. I recommend you see it for the scenery alone.
The other striking thing about the movie was Angelina, who looked lovely as always, but more than that she was elegant. This is something you just don't see much of in movies these days. Female leads are pretty, or sexy or down to earth or tough cop (lawyer, astronaut) but rarely elegant. But she pulls it off very well. The movie is a throwback to a more well dressed time and I think I'd like to see more movies like it.
Showing posts with label movies. Show all posts
Showing posts with label movies. Show all posts
Saturday, December 11, 2010
Friday, March 19, 2010
Meh...
I watched The Hurt Locker last night and I am a little confused. Why did this picture win an academy award for best picture?
Don't get me wrong, it was a good movie. But I don't think it was a great movie. The acting was good, but not great. The cinematography was good, but not great. The acting was good. But not great. The best I can say is that it looked like it was shot in the Middle East and indeed it was shot in Amman and Kuwait.
The plot is simple and non-political. Why not? These guys are in a war that very few people are happy about, including soldiers. Yet there isn't word one about it. None of them offers any kind of opinion on their situation, their superiors or the administration that sent them there. It was likely a decision to keep politics from distracting from the story or making the film political but fuck, people have opinions. Strong ones, especially when the action of your government place you in a war. Nothing. Nada.
The lead is obviously an adrenaline junkie, yet no one call him on it to his superiors. Going Rogue is not something EOD guys are supposed to do. The film takes place in 2006 when there were still issues with getting up-armored humvee's and equipment. Nothing. Also, a squad is generally 8-16 guys yet there are only three man characters.Why?
And most importantly, the film didn't grab me emotionally. I didn't really feel anything positive or negative about these people, which is a pretty big deal. Certainly people can have mixed emotions about a fellow soldier, but none of it grabbed me and none of it affected the story for the most part.
Want a great war type movie? Watch Blackhawk Down. First, it's a true story. Second it shows how acting with good intentions can have unintended, brutal consequences. Yes, BHD is more of a shooting film where The Hurt Locker is supposed to be about the tension. But I didn't get any tension from the Hurt Locker, where BHD had a shitload of tension. You are as frustrated as the soldiers on screen who are watching as everything goes to shit. You wonder why no one can get to these guys to help them. You feel ill because despite superior equipment and training a swarm of drug addled thugs are beating the shit out of our guys.
If you were going to give an Oscar for a war film, it should have been Blackhawk Down. The Hurt locker was a let down.
Wednesday, November 25, 2009
What the hell???
Why the !@#$ have I just learned about this NOW???
I could have RULED Bartertown.
Goddammit.
Wednesday, February 18, 2009
Wednesday, January 07, 2009
My brain hurts...
I love movies. I always have. From the annual ritual of watching the original King Kong on Thanksgiving to Indiana Jones, the first film that truly blew me away and still does to this day. I enjoy movies that run the gambit from high concept to lowbrow. I prefer to see movies in the theater, but at home can be nice too. (No missing anything while you run to take a pee) I try not to use absolutes but if I had to I would make the following two statements.
First, Blazing Saddles in Mel Brooks best work. Everything after that started to slip.
Second. Uwe Bol should never be allowed near a camera again under any circumstances.
Thanks to Netflix I've been catching up on some movies I just didn't get a chance to see this last year or so. Two recent experiences have left my cerebellum bruised.
The first is Revolver. It's by Guy Ritchie. I like his style but this isn;t a typical Ritchie film. This thing blew through the theaters a year ago. Do you remember the ads for it? No? Because there were none. It's like it didn't happen. It's not the casting. Jasan Statham is in it giving a great performance. The guy CAN act. Roy Liota is here too, chewing the hell out of the scenery along with a great supporting set of characters. But as I said, this ain't your typical Guy Ritchie film. It strives to be something much bigger, and it almost makes it. Things start out pretty clear. Statham gets out of jail and seeks revenge on Liota, but they quickly spiral out into muddy waters. The story is not what it seems to be. And at the end you say "I think I get it" although you might have missed the big picture. I appreciate a movie taking you most of the way and then throwing you at the finish line. Such as in 'The Usual Suspects'. Fine. But Revolver takes you to within 200 yards of the finish and then wanders off for an icecream cone. I appreciate the attempt, but it doesn't quite work. Your mileage may vary. I recommend you see it.
Southland Tales, on the otherhand.... Well, how can you describe this movie? I honestly cannot. It has a pretty A-list cast with The Rock, Sarah Michelle Geller and even Christopher Lambert etc. But the story. Where do you start? It's supposed to be a dark comedy about the end of the world in a post 9/11 world unfolding over three days in the near future. But it's a trainwreck. No, it's a train hitting a busload of nuns and orphans. Each one of whom is holding a kitten.
There are about 9 different, complete stories in this thing. Maybe 12. Half of them might be good, it's hard to tell. It's like a computer model of Stanly Kubrics brain dropped acid after reading the patriot act. They then filmed the results. It's all over the fucking place. It mocks most of the story telling styles used in Hollywood movies. It throws in random story elements. Even a musical number. I kept thinking "Any time now, this thing is going to pull back and we'll start to see the overall story arc. Something is going to tie these fevered dreams together into something that makes some kind of sense".
But it NEVER did.
It had some potential. If they'd done about a dozen rewrites this thing might have gone somewhere. Or maybe I'm just stupid. It might make a good book. If you weren't constrained by the limited of film this might have made some sense. But it isn't, so we're left to try and make sense of it on our own with a lot of jigsaw pieces from different freakin puzzles.
UPDATE according to this wikipedia article, the movie was to have been part of a graphic novel series. This makes a certain sense. The film does frame a lot of its scenes the way some graphic novels do. The voice overs and images jump suddenly between scenes. But it STILL doesn't work. I've read a few reviews that call it the best film of the decade. Really? If you have netflix, check this out and give me your opion.
First, Blazing Saddles in Mel Brooks best work. Everything after that started to slip.
Second. Uwe Bol should never be allowed near a camera again under any circumstances.
Thanks to Netflix I've been catching up on some movies I just didn't get a chance to see this last year or so. Two recent experiences have left my cerebellum bruised.
The first is Revolver. It's by Guy Ritchie. I like his style but this isn;t a typical Ritchie film. This thing blew through the theaters a year ago. Do you remember the ads for it? No? Because there were none. It's like it didn't happen. It's not the casting. Jasan Statham is in it giving a great performance. The guy CAN act. Roy Liota is here too, chewing the hell out of the scenery along with a great supporting set of characters. But as I said, this ain't your typical Guy Ritchie film. It strives to be something much bigger, and it almost makes it. Things start out pretty clear. Statham gets out of jail and seeks revenge on Liota, but they quickly spiral out into muddy waters. The story is not what it seems to be. And at the end you say "I think I get it" although you might have missed the big picture. I appreciate a movie taking you most of the way and then throwing you at the finish line. Such as in 'The Usual Suspects'. Fine. But Revolver takes you to within 200 yards of the finish and then wanders off for an icecream cone. I appreciate the attempt, but it doesn't quite work. Your mileage may vary. I recommend you see it.
Southland Tales, on the otherhand.... Well, how can you describe this movie? I honestly cannot. It has a pretty A-list cast with The Rock, Sarah Michelle Geller and even Christopher Lambert etc. But the story. Where do you start? It's supposed to be a dark comedy about the end of the world in a post 9/11 world unfolding over three days in the near future. But it's a trainwreck. No, it's a train hitting a busload of nuns and orphans. Each one of whom is holding a kitten.
There are about 9 different, complete stories in this thing. Maybe 12. Half of them might be good, it's hard to tell. It's like a computer model of Stanly Kubrics brain dropped acid after reading the patriot act. They then filmed the results. It's all over the fucking place. It mocks most of the story telling styles used in Hollywood movies. It throws in random story elements. Even a musical number. I kept thinking "Any time now, this thing is going to pull back and we'll start to see the overall story arc. Something is going to tie these fevered dreams together into something that makes some kind of sense".
But it NEVER did.
It had some potential. If they'd done about a dozen rewrites this thing might have gone somewhere. Or maybe I'm just stupid. It might make a good book. If you weren't constrained by the limited of film this might have made some sense. But it isn't, so we're left to try and make sense of it on our own with a lot of jigsaw pieces from different freakin puzzles.
UPDATE according to this wikipedia article, the movie was to have been part of a graphic novel series. This makes a certain sense. The film does frame a lot of its scenes the way some graphic novels do. The voice overs and images jump suddenly between scenes. But it STILL doesn't work. I've read a few reviews that call it the best film of the decade. Really? If you have netflix, check this out and give me your opion.
Saturday, December 06, 2008
Monday, September 08, 2008
City of Ember
Every one in a while I hear about a film that is waaaaay below the Radar. Sometimes its a small foreign film or something the studios won't promote like "The Fall".
I just saw the trailer for City of Ember and I like what I see so far:
Wednesday, May 28, 2008
Yes!
I just found out that "The Fall" will be showing in Cleveland for about a week starting this Friday. I REALLY want to see this film. It not only looks stunning it seems genuinely original. The only place I can find playing it is the Cedar-Lee theater on the East side. Anyone up for it?
Wednesday, February 27, 2008
Wow
Here is a trailer for a film I had heard NOTHING about called The Fall. It looks good. DAMN good. Take a peek:
This is by the director of The Cell, which was beautiful to look at but not a great story. Then again, I love eye candy. And thanks to the internets, I learned that the music in the trailer is from Beethoven's 7th symphony. My man Ludwig was one hell of a composer.
This is by the director of The Cell, which was beautiful to look at but not a great story. Then again, I love eye candy. And thanks to the internets, I learned that the music in the trailer is from Beethoven's 7th symphony. My man Ludwig was one hell of a composer.
Monday, December 24, 2007
The Ho-ho-horror
This has to be one of the best claymation parodies ever. It combines Rudolf the Red Nosed Reindeer and Apocalypse Now. Really. It is a warped bit of genius.
On a side note- Back in Jr. High this film was some kind of fixation for me. I remember my friends and I had a tape recording of it and we could recite most of the movie from memory.
On a side note- Back in Jr. High this film was some kind of fixation for me. I remember my friends and I had a tape recording of it and we could recite most of the movie from memory.
Tuesday, December 18, 2007
Knees...getting...weak...
Anyone who knows me knows that I have a certain...weakness... for props and specifically paper ephemera. Maps, documents, old foreign money, deeds. Now some clever monkeys have created some awesome looking props and documents from Firefly.

There are blueprints that look just gorgeous. And the best? A set of official ships papers that are too cool to be believed. We never saw these in the show, just the leather case they were carried in, but these guys have done some awesome work in creating what should have been seen. Alas, they are $120 which is more than I can spend right now. They also look to be creating some other great looking props. If you are a Battlestar Galactica fan (and who in their right mind isn't) you might like to check out their tongue in cheek "How to spot a Cylon poster" for only $20.

There are blueprints that look just gorgeous. And the best? A set of official ships papers that are too cool to be believed. We never saw these in the show, just the leather case they were carried in, but these guys have done some awesome work in creating what should have been seen. Alas, they are $120 which is more than I can spend right now. They also look to be creating some other great looking props. If you are a Battlestar Galactica fan (and who in their right mind isn't) you might like to check out their tongue in cheek "How to spot a Cylon poster" for only $20.
Wednesday, October 24, 2007
My nerdiness is showing...
The History channel is playing the Young Indiana Jones Adventures, a show I really liked back when it first came out. The show follows a 9 year old and a teenage version of Indy in his adventures around the globe. The ones with the younger Indy I never really liked as much, the child actor isn't that good and the pacing of the shows is bad. I do give them points for actually filming on location. The Moroccan episode is pretty good but an Egyptian segment left me scratching my head. In it, the young Indy and his tutor are left high and dry by their camel driver when they decide to climb one of the small Pyramids on the Giza plateau. Aside from the unlikeliness of a guide abandoning the balance of his pay, there are NO other tourists in the area??? By the time they get down the sun is setting. A young T.E. Lawrence arrives on a bike and they decide to make a camp for the night using camel dung for fuel.
But having been to the Giza plateau I know that its actually a very short walk from the Pyramids to the edge of Cairo. In fact, we could see the Pyramids from our hotel room at the Mena house Hotel (which was a hotel at the turn of the century as well). They could have walked a few hundred yards, sat down for tea and gotten a cab. Hardly an epic journey.
I know they had to raise the tension but I hate when basic facts are messed with. I won't even go into the Egyptology parts where they meet up with Howard Carter in the Valley of the Kings. They show a man blasting the area with dynamite, which I don't believe Carter ever did since the area is unstable limestone, (although the Italian Egyptologist Caviglia did use Dynamite on one of the pyramids).
I know, I know. It's just a show. But it bugs me.
But having been to the Giza plateau I know that its actually a very short walk from the Pyramids to the edge of Cairo. In fact, we could see the Pyramids from our hotel room at the Mena house Hotel (which was a hotel at the turn of the century as well). They could have walked a few hundred yards, sat down for tea and gotten a cab. Hardly an epic journey.
I know they had to raise the tension but I hate when basic facts are messed with. I won't even go into the Egyptology parts where they meet up with Howard Carter in the Valley of the Kings. They show a man blasting the area with dynamite, which I don't believe Carter ever did since the area is unstable limestone, (although the Italian Egyptologist Caviglia did use Dynamite on one of the pyramids).
I know, I know. It's just a show. But it bugs me.
Tuesday, October 09, 2007
Super Awesome
If you are a fan of Mystery Science Theater 3000 (and who amongst us isn't?) You will be delighted to know that the guys behind this great show are back at it. Rifftrax.com sells downloadable audio tracks that you can play along with your favorite new DVD movie release. Of course, newer movies tend to not such as much as the gems on MST3K but not by much. At $3 -$4 it's a cheap way to liven up your next movie night.
Wednesday, May 16, 2007
More gooder...
Remember that blasphemous video "PG-13 300"? Well there's something even gooder now. Flight 300
I really give it to these guys. A lot of work went into this.
I really give it to these guys. A lot of work went into this.
Thursday, March 22, 2007
This is CAKE TOWN!!!
This had GOT to be the funniest thing I have seen in a while. (I know, I keep saying that). I present to you "300-The PG version"
My wife literally called it 'blasphemy'.
My wife literally called it 'blasphemy'.
Wednesday, February 21, 2007
Amazing
If you haven't seen this ad yet, do it now. Yes, its for a shoe. But that doesn't matter because its really just a very short but very powerful movie.
I listened to hundreds of hours of Opera back when I was a butler and can identify quite a lot of it. But actual operas are really quite long and often boring. I'm sure they were the Lord of the Rings extended edition DVD's of their time. I'll take an aria here and an overture there but not an entire opera. That doesn't mean that this music isn't simply amazing, and when joined with these visuals the results are no less emotional than a full length movie. I actually wept when I saw this commercial. The story is told without words as they are unnecessary. Everything is there. You understand the emotions, motivations and pain of every face on the screen.
Nike has a history of making some kick ass commercials, such as the Demon Smiting Nike ad some years ago. Yes, it's as ad, but that doesn't mean it ain't art. If you doubt me, go check out the BMW short film series 'The Hire'. (sadly, only available on youtube instead of high quality video) They were actually better than several films that came out the same year. After one particularly aweful film I forced my friends to watch these films and they agreed that the films were better than what we had just seen (check out Powderkeg, its the best).
p.s. The song is Lacrimosa from Mozarts Requiem
I listened to hundreds of hours of Opera back when I was a butler and can identify quite a lot of it. But actual operas are really quite long and often boring. I'm sure they were the Lord of the Rings extended edition DVD's of their time. I'll take an aria here and an overture there but not an entire opera. That doesn't mean that this music isn't simply amazing, and when joined with these visuals the results are no less emotional than a full length movie. I actually wept when I saw this commercial. The story is told without words as they are unnecessary. Everything is there. You understand the emotions, motivations and pain of every face on the screen.
Nike has a history of making some kick ass commercials, such as the Demon Smiting Nike ad some years ago. Yes, it's as ad, but that doesn't mean it ain't art. If you doubt me, go check out the BMW short film series 'The Hire'. (sadly, only available on youtube instead of high quality video) They were actually better than several films that came out the same year. After one particularly aweful film I forced my friends to watch these films and they agreed that the films were better than what we had just seen (check out Powderkeg, its the best).
p.s. The song is Lacrimosa from Mozarts Requiem
Thursday, February 01, 2007
Films
This has been a pretty damn good year for movies. I would highly recommend you direct your eyeballs to the following films if you can. If not in the theater, as the Gods intended us to see movies, then on DVD:
And now a tangent...
I watched Man on Fire last night and am still convinced that it is one of the best damn vengance films ever made. It's right up there with Tombstone in its sheer badassness. It came out at about the same time as The Punisher and although the punnisher tried to be hardcore, it failed miserably. It was standard action-film fare with stock bad guys and lots of explosions and gunplay blah blah.
Man on Fire takes place in Mexico City and feels real. It's shot in oversaturated colors with characters that are interresting, flawed and very himan. Denzel is great as a former military operative who drinks excessively and is obviously haunted by his past (although they thankfully do not give us the standard flashback scenes). Tony Scott, the director is guilty of over and undercranking the camera a bit much, and is guilty of using Opera (Pagliachi) in a scene where it was not needed. But it doesn't take away from the overall story. The soundtrack is awesome. Go rent this and tell me I'm wromg. Best vengance film ever.
- Smokin' Aces - Its violent but its well done violence. Some great characters.
- Perfume - A wonderful period piece about a nasal savant. This film was a rich tapestry of filth. Great to watch and not predictable.
- Children of Men - Gritty dystopia fare that looks more like a documentary.
- Pan's Labyrinth - Wonderful and dark. A true old school fairy tale.
And now a tangent...
I watched Man on Fire last night and am still convinced that it is one of the best damn vengance films ever made. It's right up there with Tombstone in its sheer badassness. It came out at about the same time as The Punisher and although the punnisher tried to be hardcore, it failed miserably. It was standard action-film fare with stock bad guys and lots of explosions and gunplay blah blah.
Man on Fire takes place in Mexico City and feels real. It's shot in oversaturated colors with characters that are interresting, flawed and very himan. Denzel is great as a former military operative who drinks excessively and is obviously haunted by his past (although they thankfully do not give us the standard flashback scenes). Tony Scott, the director is guilty of over and undercranking the camera a bit much, and is guilty of using Opera (Pagliachi) in a scene where it was not needed. But it doesn't take away from the overall story. The soundtrack is awesome. Go rent this and tell me I'm wromg. Best vengance film ever.
Wednesday, January 31, 2007
Sheer Joy
You should go and view this short called "The Grandfather of Soul". I'm not going to tell you anything about it. It's short and very sweet. Pass the link on to your friends.
Thursday, January 18, 2007
Vikings vs. Indians
If this idea appeals to your bloodthirsty nature you may wish to point your Interweb browser of choise to the following linky.
Yes, yet the viking armor and swords are all wrong. That typically kills it for me. Sci-Fi recently did a version of Beowulf (oddly called Grendel) that was so visually painful I could stomach no more that 5 minutes of it. But this film is different. It may not be accurate, but it looks good. For this I will forgive much. Anyone remember the Gladiator helmet the viking wore in The 13th Warrior? I forgive this transgression because it still LOOKS right and certainly remained true to the spirit of the Vikings.
...
Okay, so maybe the Vikings are depicted as a bit bloodthirsty. The film does seem to be skewed to the "Spirit Warrior" crowd who have collectors plates depicting Palomino's and velvet paintings of hot Indian women next to wolves.
Yes, yet the viking armor and swords are all wrong. That typically kills it for me. Sci-Fi recently did a version of Beowulf (oddly called Grendel) that was so visually painful I could stomach no more that 5 minutes of it. But this film is different. It may not be accurate, but it looks good. For this I will forgive much. Anyone remember the Gladiator helmet the viking wore in The 13th Warrior? I forgive this transgression because it still LOOKS right and certainly remained true to the spirit of the Vikings.
...
Okay, so maybe the Vikings are depicted as a bit bloodthirsty. The film does seem to be skewed to the "Spirit Warrior" crowd who have collectors plates depicting Palomino's and velvet paintings of hot Indian women next to wolves.
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